State of the art #5
Crushed cars #2, Tacoma 2004 It'd be a telling experiment to ask people what they see first in Chris Jordan's work. Is it the sublimity of his scope, and the sudden grandeur he gives everyday objects? Is it the degraded wreckage left in the wake of our country's appetites? Or maybe it's even the aesthetic achievement—the sharpness of colors, the elegance of lines, his intuitive eye for balance and pattern? They're all essential to his Intolerable Beauty series, a critique of waste that can't help but also function as reluctant celebration. Cigarette butts, 2005 As the photographer himself smartly notes in his statement, "The pervasiveness of our consumerism holds a seductive kind of mob mentality. Collectively we are committing a vast and unsustainable act of taking, but we each are anonymous and no one is in charge or accountable for the consequences... As an American consumer myself, I am in no position to finger wag; but... my hope is that these photographs can serve as portals to a kind of cultural self-inquiry." In an age of styrofoam, single-serving packaging and disposable goods, Jordan's photographs feel surprisingly indispensible, not only artifacts of now but propechies of possible tomorrows. Glass, Seattle 2004 Chassis Yard #2, Tacoma 2004 You can see more of Jordan's art here. He'll be having a solo exhibition at the Von Lintel gallery in New York from June 14th to July 30th. |
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